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JAN 18, 2013 - Slate

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Going All the Way

The great Japanese director Nagisa Oshima, who died earlier this week at 80, was a key figure in the Japanese new-wave cinema of the 1950s, ’60s, and ’70s. Over the course of a four-decade career (his last film, Taboo, came out in 1999), Oshima never stopped experimenting, whether formally or in terms of subject matter. And even as an older, established filmmaker (and a fixture on Japanese talk shows) Oshima remained reliably perverse, ever ready to test the boundaries of both the censors and his audience. Max Mon Amour (1986) tells the story of a French diplomat’s wife (Charlotte Rampling) ... Read More

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